John Broadwood & Sons, London, 1799

Gift of Nancy Garrett

5 1/2 Octaves

There were two very distinct types of fortepiano in the late eighteenth century: the English and the so-called Viennese. Today many builders make Stein and Walter copies, and for many the term “fortepiano” refers to such instruments. The difference between the Viennese and English instruments is wonderfully described by Hummel: while the Viennese instrument, with its light and ultra fast mechanism speaks clearly and promptly in every register, the English instrument, with its deeper touch and “fuller” sound, must also be given its due. Playing first on this instrument and subsequently on the Schantz fortepiano will make this distinction eminently clear.

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